Philippine Lawbytes 195: Part 2: On Fashion, Gems, Law, and the Will to Create Despite the Law, Copyright by Dr. Atty. Noel Guivani Ramiscal

On a personal and professional level, I am a jewelry designer and an artisan when it comes to creating my own jewelry pieces. My passion for gems started when I was 18, when my mother gifted me with my first diamond and white gold ring. I remember being captivated by the lights reflected on the diamonds as I play with the ring under the rays of the sun. The wonder and amazement had never left, and after three decades later, my appreciation for natural gems had only grown exponentially to the level of a love affair.

Dr. Atty. Noel G. Ramiscal panning for gems, NSW Australia
Dr. Atty. Noel G. Ramiscal panning for gems, NSW Australia
Dr. Atty. Noel G. Ramiscal digging for gems, NSW Australia
Dr. Atty. Noel G. Ramiscal digging for gems, NSW Australia

Fashion has taken me to digging and panning for gems in New South Wales, Australia, to taking a jewelry making class in Bali, Indonesia, to the National Diamond Center, in Jerusalem, Israel, and making tireless trips to jewelry and curio shops in California, and Hawaii, U.S.A., Athens, Greece, Efes, Turkey, Taiwan, Thailand, Rio de Janeiro and Sao Paolo, Brazil, Lima and Cusco, Peru, and other countries that I have visited.

Dr. Atty. Noel G. Ramiscal at a jewelry craft workshop class in Bali, Indonesia
Dr. Atty. Noel G. Ramiscal at a jewelry craft workshop class in Bali, Indonesia
Dr. Atty. Noel G. Ramiscal attending a jewelry craft class workshop, Bali, Indonesia
Dr. Atty. Noel G. Ramiscal attending a jewelry craft class workshop, Bali, Indonesia

Jewelry is part of the fashion industry, but it has issues that are different from fashion designers. That’s why a fashion law advocate must choose and get to know very well his/her sector. Unlike fashion designers, I do not worry about my creations being plagiarized because the material I work with, real gems, have a built-in assurance that they cannot be copied for each gem is unique. For example, the inclusions in a natural emerald or ruby can actually be x-rayed and the inclusions can provide the identity of the gem for insurance purposes.

Dr. Atty. Noel G. Ramiscal's Natural Ruby pendant with his logo
Dr. Atty. Noel G. Ramiscal’s Natural Ruby pendant with his logo

I also do not worry about my creations being “relevant” because my natural gems have been formed from the earth for millions, some billions of years, and they will remain for billions more. It is my duty to design and showcase them properly, so their esthetic and metaphysical values and beauty can be appreciated by generations of people who are fortunate to be their stewards.

Dr. Atty. Noel G. Ramiscal at the National Diamond Center, Caprice, Jerusalem, Israel
Dr. Atty. Noel G. Ramiscal at the National Diamond Center, Caprice, Jerusalem, Israel

Having said that, one of the issues that I actually deal with, have to do with the ethical sourcing of the gems. I do my homework and I ask a lot of questions from dealers of gems, as to their own practices of sourcing.

In working with organic gems, say the tooth of a shark, or a wild boar, I purchase them from museums who can give me the assurance that these gems came from animals who died from natural and environmental causes and were not hunted down precisely because of yields from their bodies.

From the very beginning, I have made the conscious decision not to use ivory that comes from elephants. I use material from the ivory pine nut, or “tagua”, which comes from Ecuador, which is ethically harvested, so they are not rendered extinct.

In working with precious gems and rare earth minerals, I deal with and buy from trusted sources. As much as possible, it is good to ask for certificates, though these would raise the prices. This is something that I discuss with those who commission me to create special pieces for them.

One must always be on guard for “diamond laundering”, where conflict diamonds, or conflict gems mined in countries where these gems are used to fund internecine wars, are “cleaned up” through a process of multiple transfers to evade detection. I have also made the decision from the very start that I would not deal with gems of this nature, because they are part of the system that contributes to so much human savagery, pain and destruction.

Dr. Atty. Noel G. Ramiscal's picture of one of the diamond displays at Caprice National Diamond Center, Jerusalem, Israel
Dr. Atty. Noel G. Ramiscal’s picture of one of the diamond displays at Caprice National Diamond Center, Jerusalem, Israel

It is also the case that in my life-long education with gems, I have discovered that some of them, while quite beautiful and even haunting, are not beneficial to the human health, for they contain harmful elements like lead and mercury. Take the example of cinnabar. It is a beautiful, rare, often red colored mineral that can crystallize into gemmy clusters. The problem is, one of its main components is mercury. Much of the cinnabar “jewelry” made today is actually wood painted with cinnabar lacquer to achieve the beautiful red color. But when I was in Taiwan, three years ago, I encountered cinnabar jewelry which were advertised to contain 97% cinnabar! These should not even be breathed in, much less worn by humans. I am not aware of any Philippine study, much less, any draft of a bill that specifically prohibits or regulates the selling of gems or minerals like this.  

Cinnabar from assignmentpoint.com
Cinnabar from assignmentpoint.com
Dr. Atty. Noel G. Ramiscal Everrich Taiwan
Dr. Atty. Noel G. Ramiscal Everrich Taiwan

In the Philippines, we do not have an assay law, where jewelry makers and houses who set gems in metals and sell them to the public, are legally required to provide agreed symbols for the metal and the metal’s purity and fineness which is determined by the amount of the metal that was included in the setting. Customers are entitled to know outright the percentage of silver, gold, platinum or palladium in the settings of their jewelry. The karat weight of gems must also be indicated. For the longest time, much of the jewelry pieces that have circulated in our country, from estate jewelry and even currently, have no indication of the carat weight of the gemstones. Apart from protecting the consumers, an assay system would facilitate the trade in Philippine made jewelry pieces in different parts of the world. 

It is also the case that most sellers of jewelry pieces in malls, and pawnshops do not even know the names of the gems they are selling, because they are all about the metal setting. If you grill them as to the identity and source of the gems you are interested in, they will provide you with the stock answer, “Sir/Mam, that’s semi-precious”.

And worse, some of them would even misrepresent the gems they are selling. Misrepresentation can come in different forms. These sales people can offer synthetics/plastic/glass simulants as “natural” gems. Or they can offer a lower priced gem for a higher priced gem. For example, one might be shopping for a blue sapphire, but the sales person can offer you a blue iolite or a blue zircon. These are real gems but they are not as highly valued as a blue sapphire. And if you don’t ask, they can offer you a laboratory created gem, as a natural gem, say a ruby. A laboratory created ruby would possess all the properties of a natural ruby, and many times, it is difficult to tell them apart. But a laboratory created ruby is made in a lab vat in a matter of months, while a natural ruby was made for millions of years by the processes and conditions only a Supreme Being or God could create, so therefore, it is so much more valuable.

Dr. Atty. Noel G. Ramiscal's Natural Ruby ring
Dr. Atty. Noel G. Ramiscal’s Natural Ruby ring
Dr. Atty. Noel G. Ramiscal's Natural Ruby bracelet with his logo
Dr. Atty. Noel G. Ramiscal’s Natural Ruby bracelet with his logo

All of these issues I raised, with the probable exception of the last, are not particularly dealt with in specific Philippine laws, and are not known by legislators, so there is nothing “to implement”. These “issues” can only be known and appreciated by people who have done the actual work themselves. That is why it is important for fashion lawyers to actually familiarize themselves in the creation of things of beauty and fashion, so they can better serve their clients.

The path of Beauty, Fashion, Gems and Law, is definitely NOT peachy nor frivolous, it is definitely NOT for the prejudiced, and certainly NOT for the weak minded. 

In closing, Ms. Santos’ question “Would you say that the government’s lack of specific laws prohibit you from reaching your full potential as a fashion designer?” made me smile.

As a creative, as a jewelry designer, and as an artist, the farthest thing from my mind and vision is the lack of Philippine laws. When I create, I do so because my artistic Life depends on it. I crave for Beauty, Truth and Honesty in my creations. Sometimes, there might be disputes from outside sources concerning the results. But the point is, I do not create from the outside, I do not depend on critics or the government telling me what I can and cannot do. I dictate the terms of my Creation. It is only through that can I remain Free, Liberated and Committed, at the same time, to continue pursuing and realizing my Artistic Vision.

The lawyer in me comes through those ethical choices (which for me have legal repercussions, in the relevant countries where the gems are sourced), that I had agreed to uphold and make, when I started this great and joyous journey that I am still on, in discovering the messages of God through the wonderful gems I have been privileged to procure, steward, shepherd and share.   

Thank you for reading this far. Namaste.

Philippine Lawbytes 194: Part 1: On Fashion, Law, and Surviving the Unmerciful Cycles of “Relevance”, Copyright by Dr. Atty. Noel Guivani Ramiscal

I got two emails (dated April 3 and 5, 2021) from a third year law student from FEU, Ms. Gabrielle Adina Santos, striving to do her thesis on Fashion and Law, asking for my take on the plight of fashion designers.

She asked me these questions:

1. Do you think fashion designers are well protected in the Philippines? 

2. Are there any legal issues you’ve encountered as a fashion designer? 

3. Would you say that the government’s lack of specific laws prohibit you from reaching your full potential as a fashion designer? 

And in her next email, she asked these questions:

4. Are local fashion designers denied equal protection of laws when they bigger companies profit from their designs?

5. Under fashion law, there can be multiple sublaws. There is a grey area between being a business holder and an artist, and the law does not clearly define it. Do you agree?

6. What do you like so much about fashion?

First, I would like to thank Ms. Santos, for giving me the opportunity to write about subjects that I have not written for over a year. To all and sundry, I started the first Fashion, Gems and Law blog in the Philippines way back in 2015 (https://noelthefashiongemlawyer.wordpress.com) because no one here has really taken the time and attention to the issues that surround this global multi-trillion dollar industry, that does not merely involve dresses, but encompass accessories, make-up, perfumes, swimwear, eyewear, shoes, bed sheets, blingy computer devices and even designer homes.

Dr. Atty. Noel G. Ramiscal in a Pal Zileri suit
Dr. Atty. Noel G. Ramiscal in a Pal Zileri suit

Fashion has proven to be a boon to the wellness industries, but unfortunately, because of certain images or types of beauty promoted by certain fashion houses, magazines and the modelling industry, it had also been linked to the deaths of young models due to eating disorders, and those who went under the knife, to create in themselves an impossible standard of how they want society to view them.

Coco Chanel has famously said that Fashion is in everything. It is actually a way of Life. And even during this time, the notion of being “fashionable” while coping with the challenges has remained in the hearts of certified fashionistas who see Fashion, not as some contrived, pretentious, shallow enterprise, but as a means of fighting, of not giving up, and not giving in to the fears and despair this global pandemic has wrought. So, in a way, I think I have answered Ms. Santos’ last question.

Dr. Atty. Noel G. Ramiscal at Project Runway Philippines
Dr. Atty. Noel G. Ramiscal at Project Runway Philippines

What’s interesting in her first email is that she said she’s “testing the waters on this topic since my colleagues have told me implementation is what is needed rather than a legal issue”.

I just want to say to Ms. Santos, and all the aspiring Fashion Lawyers out there, do not believe those who may know (or pretend to know) the law, but know nothing about Fashion and its creation (which cannot be made up). They can never be your true colleagues, and I say that without meanness or spite, but with Truth and Tough Love. That line about “implementation” has gotten quite old for there will always be challenges in implementation of whatever law that actually matters. It is a generic form of thinking espoused by those who do not actually know the current challenges that the digital and global economy had wrought on the members of various sectors comprising the Fashion industry. These are people who actually do not know how to implement the apparent laws that apply, and they cannot think of new ones that should be created to address the pressing inequities in the fashion world.   

Dr. Ramiscal's first Fashion Law lecture UPIAJ
Dr. Ramiscal’s first Fashion Law lecture UPIAJ

In order to be effective advocates of the rights of the members of the fashion industry, true fashion lawyers must know the ins and outs of the specific sector they serve, and they must be able to spot new challenges and frame the issues in the way that those who know nothing about Fashion, and those who know nothing about the laws, can understand the intersections in these two areas, and why they matter to everyone, so they can be addressed legally, or in some other way. That, Ms. Santos, has been my primary objective since I started my Fashion law venture. And it has not been easy.

Dr. Ramiscal's Fashion Law lecture UPIAJ July 8 2017
Dr. Ramiscal’s Fashion Law lecture UPIAJ July 8 2017

I’m the very first lawyer to lecture in the Mandatory Continuing Legal Education (MCLE) series, on Fashion Law in the Philippines and I remember being ridiculed in one of the MCLE lectures I did on this subject. Some lawyers still believe that this is a subject fit only for women and gays, and they cannot be bothered with admittedly technical legal issues which to them are not substantial, or for which, they actually do not have the capacity to understand.

These are the people who do not know the amount of blood, sweat, tears, money, attention, time and the hard knock lessons in life that creators, like myself, endure to give birth to our creations.

I empathize with dress designers, for it is in their sector that many abuses of every kind abound, including the misappropriation of their designs, by big time labels, celebrities and brazen opportunists. It is quite easy to get away with stealing another’s creation, by simply changing the hemline, altering the silhouette, cutting off the ruffles or sleeves. But some imitators take apart a dress made by someone say like Narciso Rodriguez, and copy the secret methods of stitching he perfected, and Mr. Rodriguez gets no protection.

Narciso Rodriguez from vogue.com
Narciso Rodriguez from vogue.com

Remember that wedding dress he made for the late Carolyn Bessette Kennedy? Millions of dresses were patterned after that all over the world, and he never profited from it. He got commissioned to create something in between 50 to 80 dresses and that’s about it. That’s why he has spent the rest of his life, aside from being a fashion designer, speaking about the inequities faced by fashion creatives and as an expert witness on fashion issues in the U.S. Congress.

Narciso Rodriguez's simple bias cut gown that became the wedding dress of the late Carolyn Bessette Kennedy
Narciso Rodriguez’s simple bias cut gown that became the wedding dress of the late Carolyn Bessette Kennedy

Same case in the Philippines. No Philippine law is a perfect fit for the real concerns of true fashion creators. The trademark law addresses only a fraction of the concerns of fashion designers. The copyright and patents law in the IP Code, the industrial designs act and the interior designs law all address values and issues that may be akin, but are not really suitable for these designers. A sui generis type approach is needed and one that must employ a creative and flexible approach on the type of remedies that are made available to fashion designers. For some, a licensing type model might work. For others, the mere recognition of their work, by the acknowledgment of their names, by the plagiarizer might suffice. This law would have to be drafted not by some run of the mill politician, but fashion advocates who know and respect the work of fashion designers.

One last and related thing before I go to Part 2. Before the internet, and social media, it used to be that fashion cycles are quite longer. It takes about two to three years, before some knock off dress ends up in some tragic bargain bin of unwearables in some mall. But the worldwide attention provided by social media, has made knock offs of runway and red carpet dresses even shorter. Factories in China and India can churn thousands of cheap versions of these clothes and flood the relevant markets in a matter of days or weeks after the pictures of the original dresses are posted online. Add these to the ever pressing need to be “relevant” and “edgy” just enough per season, which has become shorter per year, and we can see how all of these have driven many brilliant designers to depression, some even to suicide.

So, the realities and complexities of the economic, social, technological and political realities of fashion all take their toll on the personal lives of designers. It is thus imperative that the fashion industry takes care of its members, but that is not so apparent, in a cut throat business. Fashion law advocates can shine a light on this, and hopefully we can start the process of making fashion, not just a mode of expression, of defiance of conventions, but also as a mode of recognizing our shared humanity. Just as one thread unites a fabric, one human being’s life and contribution in any sector of this industry matters.